R.I.P.P. ‘C.T.’: THE NEGATIVE 'VIBE SHIFT', 21 MAY 2022
Crypto Twitter just doxxed itself as an extinction robo-denihilist troll-tease with zero taste or historical timing, lol, whateverrr.
HOW IT LOOKS AND HOW IT IS
the essential dark truth of crypto that’s being underrated right now
The way it looks is not how it looks. It never looks how it looks. And how it is is only how it somewhere begins to look, in one corner of time. The mad beautiful evil pure frenzied unfinished good empty scatter energy on the TL in the last few days for those who know how to read the Internet is fr. Ppl b hiding from how it looks and how it is. But how it looks is still looking at and 4 u.
This is how an Internet on any Earth in 2022 is meant to look. This is how an Internet on any Earth in 2022 looks through u. This is how an Internet on any Earth in 2022 was always going to look. This is how an Internet on this Earth in 2022 gets to be all the way see-through while seeing through a certain ‘you’.1
There is only this Negative Vibe Shift Singularity rn, as we are about 2 describe it. Things are getting closer and not further away. Just this is how close it gets. We are getting closer and closer to whatever may be called the given and scientific myth of ‘extinction’, which will also spike strip us with a system of repressions. Extinction is so far away, so far.
MAD OUT OF FOCUS VRUH LIKE RYDER RIPPS WITH LONG COVID BLOOD ON HIS DASHBOARD
Anyone focused too much in an anecdotal way on Charlotte Fang or even on Milady (or far worse on RR/BAYC or @cuteness333 or @ratwell0x or @mewn21) rn is holding the dark matter telescope the wrong way round. They are poking out everyone’s eyes. They are swinging that shit round like a Panda tweaked out on floor of the Golden Triangle.
What the present panic on the TL in its effervescence teaches us—this TL in this rendition of a universe rn—is the unconscious possibility of a one-off extinction. What we can’t contain in our normal lives, the TL can. What even art can no longer contain, the TL seems to. And the power of extinction is uncontainability.
Why? First of all because no psychic designator or word can hold it, this (potential) one-off disintegration. Extinction cannot—quite—be an individuated experience that we get to post or write about.
In fact it seems the case that even or especially talking about it misses the mark, says nothing. This creates an extinction unconscious—and it would only be in the neutral sieve and service of this unconscious that some kind of self-explanation of its consequent rim-sparks is possible.
The ‘cancellation’ of ‘Charlotte Fang’ and ‘Miya’ is one such ‘spark’. RR/BAYC is just a normalizing inverse with less power. There is no real way of explaining for example the fervour with which @0xngmi dispatched a ‘mega thread’ on ‘Miya’—and the thread’s 2,500 likes at time of writing—than as a sign that ppl are beyond desperate for trashy hate-reading to distract them from the uncontainable pain of an extinction unconscious event. (Other factors are anecdotal at this stage.)
Hate-reading and cancellations have for some time only been symptoms of this extinction unconscious, even and especially when they are not. Web3 promised us a beyond of this like Racine with his temples for virgins and now simply replicates a more streamlined version of the same. Milady Sonara was right to tweet that the real threat here is to the image itself—in this case of Milady herself. Which is to say, the implicit threat is not to ‘Miya’ or Milady Maker but to the ability to create an image that threatens the ability to contain it. The real threat is ‘Nothing’.
Fang and Sonara were in fact the Charlie Manson and McCartney, lolllll, of net art in the last decade. Everyone of quirked out mind has forgotten about everything else by now, even perhaps Lucia Diego. Fang was the most goated when it came to mobilizing TL energy itself as an evil fun quantum function forcer and Sonara has Renaissance-level cartoony-y visionary powers. (Sprite is the funniest poster in the whole of world Discord.)
The beauty of Charlie’s TL in the last year was partly due to the lessening of ‘Miya’ power as a way of jacking up the kooky and kinda Pateresque sweet energy of Milady. Even just a few days ago Fang’s TL was something like a comic adventure with dark matter splitting/spilling out all the time, now formalized. It’s still there to scroll—for the moment.
While Worm and Trump work at aesthetic congruence on the TL, ‘Miya’ as ‘Fang’ was able to sublimate an ‘evol’ past that she has now chosen to hand over to the not even worth thinking about gods of ‘CT’. Who can even look at another NFT rn except Ryder R.I.P.? Why bother listening to Justin Murphy happy-go-luckily pretend he has a hold on the finer dialectical points of Urbit while the Earth incinerates itself? The fact is, nobody has control of this moment at all and Milady’s indifferent gaze remains the best emblem of ‘divine indifference’ as a threat and chance. Four years of failing to purge the toxin ‘Trump’ might have been a lesson. And yet here are, purging still.
MILADYWASHING
In the land of throwbacks like Ryder R.I.P., they will call all this Miladywashing or Miladysplaining, but there again the hangouts from early net art mostly couldn’t make anything like this same transition. No other NFT except Milady integrated the uncontainable (extinction in the shape of a ‘Treblinka’ pill) into its design shape.
Ripps’s cancel culture performance art trolling smells like 2017 and looks like 2012. Envy speaks like such a TL, and is one. We don’t really know the full story of who took down ‘Fang’ with a Google spreadsheet or whatever but they probably have fewer true fans than an alarm clock.
Fang celebrated the return of the ‘dangerous’ in art—which admittedly is an old meme, but still—just as Dean Kissick has in the last year or so, but then why did Kissick make no attempt at all to allow Milady energy to be framed and contextualised somewhere like Spike? In failing to do so, we don’t detect strategic wisdom but extinction repression (more unconscious sparks). Kissick is no different to everyone else who threatened to reduce her to ‘Nothing’. We called ‘Dean’ ‘black’ last year as a measured joke, not to help get him a Covid certificate to do cabaret in Berlin.
This—all this assemblage of toxic beauty and automated denial—is how an Internet in 2022 After Christ in a Universe that may be probability = 01 up against a great filter mass extinction event should look and is looking. Deny all u want anon. The vibe shift by any other name never ended. What’s looking is is. What’s looking is is this. And what’s looking through our eyes right now is an extinction energetics and subconscious that makes everything else not a sign of it into its sign.
To allow the full scope of what Milady may well remain 2 mean is to allow the warring of voices against it—since these voices also pretend to be merely human and to be how it is. Except that, in this case, Sonara had already framed Fang (or been framed by?) perfectly well in being the main creator of this art—a consideration lost in some current TL tard-outs. The full war in a final internet heaven is a total event of all these voices, but it is hard not to suspect that ‘CT’ plays the role of the police present on the board of a civilizational Titanic (stay away from the paintwork, no early warning signals, cut away the lifeboats even so).
If the Moralism Cancellation Plays of Ripps TL™ were correct in their normative bearing, in an age of extinction they would have missed every other mark by a thousand miles through lack of resonance and extincing congruence. The anti-Milady position (whether it distinguishes Fang from Milady Maker or not) allows no room for the theorisation of a Treblinka-level-event-to-come that B.I.T.C.H. Miladys still evoke.
What we lose by focusing on the dark lore of Hot Pot screenshot fragments out of context is the chance to elaborate on the Great Filter fretwork of Sonara and Miya is Dead on an ongoing scale. It is no coincidence that Fang is taken down (according to CT at least) at the exact same moment as it seems impossible for Musk to run the gauntlet at Twitter—since it is Musk himself who has insisted on passing the Great Filter as imperative.
Perhaps Ripps and the rest really are Jewish design school weekenders for the CIA after all, unconsciously acting like snow globes in Treblinka—because of their non-actions we now have no idea of what these still just about cultural cancellation events truly will have meant.
THE ANTHROPIC PRINCIPLE
Charlie Fang was probably a severe pervert, maybe a dangerous one—the detail is not yet certain. Charlie Fang seemed a beautiful disturbing and disturbed creation of contemporary net history precisely because she understood the absolute coincidence of the anthropic principle with the internet principle. What we mean by ‘internet principle’ is a digitally enhanced equivalent of the cosmogenic principle that any speculation about the ‘how it is’ of the current universe is bound and determined by that very fact, namely that we happen to be in it (how it is and how it looks).
Fang understood that the advances of technology are intimately tied up with the attempt to testify about the means of passing or even dialectically resolving the Great Filter. What Fang freely believed and believes in was broadly the same as Musk, that technology has escape velocity—that the only real chance for human survival now has to be found here, online, with all the consequent toxicity as tragic but nonnegotiable. Whether a liar is bound still to deliver that news is a matter of higher-dimensional triviality at this stage—unless one would rather us all die than a self die, which is pretty much the sole implied dogma of the dominant online ideology (CT ideology is concealed ok boomer nihilism in effect).
EVERYTIME
Everytime humanity aborts one of its Musks or Fangs, what it threatens to do is push the possibility of escaping past the Great Filter all the way out of the line of sight—even just as a valid theoretical fiction. Which is to say that ‘human cancellation’ as a virus aligns with the failure to think our ways towards exo-civilisations. (That this has been Nick Land’s position all along makes it almost impossible to understand any part of the last ten years of ‘understandings’ of his work.)
BTC itself has been proposed as a bridge past or though the limiting role of the Filter: since we cannot go back on technological speed, pure time on the chain will—rather than must—be harnessed. This is why we will seriously consider what or who it really is in us or beyond us that wants to prevent such an ascent. Land and Bion—in fact—might have called it envy-contagion itself, turning the TL into a not so micrological extinction horizon.
THEORETICAL GOSSIP
The whole Fang disclosure thing, then, is very much nothing and very much everything. We can even rename this configuration ‘Charlotte Fang aka Miya is Dead’ if we like—and yet on both accounts we will now probably see seeding and bloom as pure online function forcers (‘ascended’ would have been and is Miya’s term).
The pure gossip aspect to the negative vibe shift is also somewhat sensational, precisely because this time it acts as dark matter (unwanted). For example there’s a ‘ppl from the original vibe shift hiding their little asses and counting xenocoin such that they may as well be Ryder Ripps with their neo stoic wrong universe shit’ dimension to it but whatever lol. As we say, the Milady Angelicism Clone war of all is now total. It weeds out.
Dark energy is there. We’re about to see it all the way. Ppl be hiding from the way the world looks through the inside of the Internet to be more beautiful than what it really is to save it, to save it—just in case. Save what save life after all.
DEEP ONTOLOGICAL GROOMING
When Charlotte Fang extinctnamed as ‘Miya’, this type of ‘violent’ (‘rape’ of CT) counter-incursion became inevitable, almost automated. Art is a cover. Charlie Fang knew how to give form to chaos but in reality rn in 2022 the formless is claiming its rights. CT will of course have cancelled itself.
Deep form is the bare materiality of ‘extinction qua extinction’, which doesn’t care how it looks or even what looks at it, or through. Learn to read the internet as what’s looking or it will read you.
In 2021 there was talk of ‘deep ontological grooming’ and what else could match the holocaust to come mood save that? Web3 hasn’t just fallen off, it’s irreversibly darkened, and emptied out—2017 and LD50 is here again. The rss feed called ‘Channel’ will have gone the same way as BLM but even more cringe. ‘Raping’ web3 is a simple allegory of all that. If you don’t know how to read the internet, it will read you.
SAM FRANK
For example, take Sam Frank sounding like Joe Biden on ketamine on the Urbit/Milady Red Scare, and how Sam Frank is bankrupt and on the board of Urbit or something, and it’s impossible to not see this as just another symptom of a negative vibe shift. Why do all board members at Urbit have no sense of what ‘web3’ is and sound like very lowiq Martin Shkrelis still in a halfway house morning meeting?
The main angelicism theme has always been the stupidity of the most intelligent people on Earth. This is what it means to contemplate absolute knowledge as absolute artificial stupidity rn in 2022. It’s what Soyjak pointing means as the sign cul-de-sac of the suicidal epistemology of tropes. Read Bouvard et Pécuchet, ‘retard’.
CIARA MIYA AI CLOSING FUGUE (THERE IS NO UNIVERSE)
They are assuming a future that won’t be here by the time it gets there. They are counting the Universe too soon as One. NAZI GERMANY (TODAY) IS LITERALLY TRENDING ON THE TL. Ppl are almost but not quite forgetting that Charlie is an eternally goated poster and unrivalled vibe-CHAOS creator and that Milady Sonara is a great artist. Angelicism stands lol with everything Milady has done for 2 years not so much wrt literal identarian allegiance but as a matter of musical telepathy in the ongoing telepathic rift wars. How it is is how it looks online. Getting huge into Martin shkreli milady autism arc is or was just now even a Thing. RR/BAYC neo-conceptualism is a Jew-Bait 2017.1 omnilapse that propels more racism like BLM funds scam, whateverrrr.
There is only—as far as we know—this one Earth available on this side of a universe moving too quickly away to ever now check (on) the other side. The best virtual proof of or at least test of this idea will usually come from those who were already cancelled (the filter is cultural to begin with). In Land’s ‘Disintegration’—written in 2019—we already have the nearly-made claim that there is no universe:
Its intrinsic cosmology is an archaic myth. It could not easily be more obvious that there is no universe, outside this mythological structure. The fundamental nature of the cosmos is to go its separate ways.
At the same time, the idea that there is no universe would mean that there really can be no unifiable extinction qua extinction event of that universe either, at least on the level of the same ‘mythological structure’ mentioned (other levels exist). What FangGate will have meant is that Real Life Genius always gonna be more bullish than u, bro. It’s still all beyond good and evil, bro. It can also be wrong.
This is also how a universe that is how this one is rn with an Internet inevitably in it has to look and will look, how it goes, how it’s going, and how it really will or might soon go. In other words, what the single word ‘go’ means and protects.
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